BIG FISH

By Jared M. Gordon

Big Fish – 2003 – dir. Tim Burton

Tim Burton’s Big Fish is an homage to everything that we were, everything that we are, and everything that we will be.  What really bakes your noodle is the reveal that it’s all happening, every moment, all at once.

Based on the novel by mythology enthusiast Daniel Wallace (watch for a cameo of Joseph Campbell’s The Hero with a Thousand Faces on Ed Bloom’s nightstand), Big Fish is a tale about everything big in our lives: the worlds of our childhood, the worlds of being in love, and the worlds of responsibility, maturity, death, and beyond.

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IT’S A WONDERFUL LIFE

By Peggy Nelson

It’s A Wonderful Life – 1946 – dir. Frank Capra

Recognized by the American Film Institute as one of the 100 best American films ever made, It’s a Wonderful Life (dir. Frank Capra, 1946) has been variously described as a heartwarming celebration of family values, an historical appreciation of vanished small-town life, “sentimental hogwash,” an indictment of centralized banking, and a communist manifesto.  It is all of these things.  And yet, it is also something more.

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THE MUPPETS TAKE MANHATTAN

By Amy Tetreault

The Muppets Take Manhattan – 1984 – dir. Frank Oz

Muppets Take Manhattan is the third in a series of live-action musical feature films with Jim Henson’s loveable Muppets. Released in 1984, this is also the final film before Jim Henson’s sudden death in 1990. In 1992, Henson was posthumously awarded the Courage of Conscience Award for being a “Humanitarian, muppeteer, producer and director of films for children that encourage tolerance, interracial values, equality and fair play.” Muppets Take Manhattan is a great example of Henson’s renowned work for both kids and adults. In fact, at times, I thought the Muppets were better geared for adults than kids. Besides the fact that the Muppets are made of cloth, their story in Muppets Take Manhattan is totally relate-able. Especially right now.
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Good Nightmare: CORALINE

By Jared M. Gordon

Coraline – 2009 – dir. Henry Selnick

“You probably think this world is a dream come true… but you’re wrong.”

From the minds of Henry Selick (The Nightmare Before Christmas) and Neil Gaiman (Sandman, American Gods), with musical accompaniment by They Might Be Giants comes Coraline, a dark, enchanting fable about the worlds we see and the worlds we want.

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THE WIZARD OF OZ: A Grown-up Perspective on “Over the Rainbow”

By Victoria Large

Is there a film more famous than The Wizard of Oz? There are films with loftier reputations, yes: as impressive an achievement as it truly is, The Wizard of Oz is still written off as kids’ stuff on occasion. But what other film has embedded itself so firmly in our culture? It’s a reference that most everyone picks up and the one Old Hollywood classic that nearly everyone has seen (and, until recently, one of the few being broadcast on network television in primetime). It’s been remade and spun-off in all manner of ways, 0from a television version populated by the Muppets to the misbegotten disco epic The Wiz, to surprisingly bleak incarnations like the eighties semi-sequel Return to Oz and the Sci-Fi Channel’s recent Tin Man miniseries. It crops up even in unexpected places: as a key reference point in anxiety-ridden fair like After Hours and Blue Velvet, and a throwaway line in Reservoir Dogs’ infamous torture scene (“How’s about a little fire, Scarecrow?”). Heck, Richard O’ Brien originally wanted The Rocky Horror Picture Show to imitate The Wizard of Oz’s iconic – and still breathtaking – leap from black-and-white to color. The film is also a merchandizing perennial, the inspiration for a booming cottage industry of hand-numbered music boxes and collector’s plates.
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